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		<title>SMAC: ScribeMedia Art Culture</title>
		<itunes:author>SMAC.us</itunes:author>
		<link>http://www.smac.us</link>
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		<description><![CDATA[SMAC is a WebTV channel focusing on contemporary art. 

The channel includes coverage of major art events, interviews with inﬂuential art world personalities, and general themes surrounding the art world such as how art is created; how art is taught; what the relationship between art and the environment is; how and where art affects social and political changes; and whatʼs happening in the art market. 

SMAC.us is a ScribeLabs initiative.
]]></description>
		<itunes:subtitle>SMAC - ScribeMedia Arts Culture</itunes:subtitle>
		<itunes:summary>SMAC is a WebTV channel focusing on contemporary art. 

The channel includes coverage of major art events, interviews with inﬂuential art world personalities, and general themes surrounding the art world such as how art is created; how art is taught; what the relationship between art and the environment is; how and where art affects social and political changes; and whatʼs happening in the art market. 

SMAC.us is a ScribeLabs initiative.
</itunes:summary>
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		<copyright>Scribelabs.com</copyright>
		<itunes:owner>
			<itunes:name>ScribeLabs.com</itunes:name>
			<itunes:email>hq@scribelabs.com</itunes:email>
		</itunes:owner>
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			<title>SMAC: ScribeMedia Art Culture</title>
			<link>http://www.smac.us</link>
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		<category>Arts</category>
		<itunes:category text="Arts" />
		<category>Visual Arts</category>
		<itunes:category text="Arts">
			<itunes:category text="Visual Arts" />
		</itunes:category>
		<category>Performing Arts</category>
		<itunes:category text="Arts">
			<itunes:category text="Performing Arts" />
		</itunes:category>
		<category>Design</category>
		<itunes:category text="Arts">
			<itunes:category text="Design" />
		</itunes:category>
		<itunes:keywords>smac, visual art, contemporary art, alexandra lerman, new york, art world, museums, galleries, artists</itunes:keywords>
		<itunes:explicit>no</itunes:explicit>
		<item>
			<title>John Baldessari Talks from and About the Venice Biennale</title>
			<itunes:author>SMAC.us</itunes:author>
			<description><![CDATA[Daniel Birnbaum, curator of the 53rd Venice Biennale, and Steven Henry Madoff talk to John Baldessari about his art, life, and pedagogical practice. Baldessari explains the ideas behind his work for the Biennale,  as well as his role as a teacher, the LA art scene, Hollywood, and his enduring uncertainty over what constitutes a "part" versus a "whole." This year Baldessari was awarded the Golden Lion Lifetime Achievment Award at the Bieannale.]]></description>
			<itunes:subtitle>John Baldessari explains the ideas behind his work for the Biennale,  as well as his role as a teacher, the LA art scene, Hollywood, and his enduring uncertainty over what constitutes a &quot;part&quot; versus a &quot;whole.&quot;</itunes:subtitle>
			<itunes:summary>Daniel Birnbaum, curator of the 53rd Venice Biennale, and Steven Henry Madoff talk to John Baldessari about his art, life, and pedagogical practice. Baldessari explains the ideas behind his work for the Biennale,  as well as his role as a teacher, the LA art scene, Hollywood, and his enduring uncertainty over what constitutes a &quot;part&quot; versus a &quot;whole.&quot; This year Baldessari was awarded the Golden Lion Lifetime Achievment Award at the Bieannale.</itunes:summary>
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			<link>http://www.smac.us</link>
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			<pubDate>Wed, 12 Aug 2009 14:06:08 -0400</pubDate>
			<category>Art</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:32:05</itunes:duration>
			<itunes:keywords>smac, visual art, contemporary art, alexandra lerman, new york, art world, museums, galleries, artists</itunes:keywords>
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		<item>
			<title>Lane Relyea: Bricoluer as Entreprenuer.</title>
			<itunes:author>SMAC.us</itunes:author>
			<description><![CDATA[A consideration of the New Museum’s show “Unmonumental” and the model of the “21st century object” it proposes, a well-networked piece of sculpture too internally diverse and intersected to be constrained by form but also enough of a mobile and autonomous objet to escape the fetters of site and circumstance. An artist’s top ten, a bundle of unique lifestyle choices, a hip playlist or mixed CD, with raw materials mined from thriftstores, Home Depot, used record shops, eBay and the many other databanks that now comprise what was once called everyday life.
ABOUT LANE RELYEA

Lane Relyea is an assistant professor of Art Theory and Practice at Northwestern University and director of the Core Program and Art History at the Glassell School of Art in Houston, Texas. His essays and reviews have appeared in numerous magazines including Artforum, Parkett, Frieze, Art in America and Flash Art. He has also written recent monographs on Polly Apfelbaum, Richard Artschwager, Jeremy Blake, Vija Celmins, Toba Khedoori, Monique Prieto and Wolfgang Tillmans among others, and contributed to such exhibition catalogues as Public Offerings and Helter Skelter (both Museum of Contemporary Art, Los Angeles, 2001 and 1992 respectively). He has delivered lectures at Harvard University, New York’s Museum of Modern Art, and the Art Institute of Chicago among other venues.]]></description>
			<itunes:subtitle>A consideration of the New Museum’s show “Unmonumental” and the model of the “21st century object” it proposes.</itunes:subtitle>
			<itunes:summary>A consideration of the New Museum’s show “Unmonumental” and the model of the “21st century object” it proposes, a well-networked piece of sculpture too internally diverse and intersected to be constrained by form but also enough of a mobile and autonomous objet to escape the fetters of site and circumstance. An artist’s top ten, a bundle of unique lifestyle choices, a hip playlist or mixed CD, with raw materials mined from thriftstores, Home Depot, used record shops, eBay and the many other databanks that now comprise what was once called everyday life.
ABOUT LANE RELYEA

Lane Relyea is an assistant professor of Art Theory and Practice at Northwestern University and director of the Core Program and Art History at the Glassell School of Art in Houston, Texas. His essays and reviews have appeared in numerous magazines including Artforum, Parkett, Frieze, Art in America and Flash Art. He has also written recent monographs on Polly Apfelbaum, Richard Artschwager, Jeremy Blake, Vija Celmins, Toba Khedoori, Monique Prieto and Wolfgang Tillmans among others, and contributed to such exhibition catalogues as Public Offerings and Helter Skelter (both Museum of Contemporary Art, Los Angeles, 2001 and 1992 respectively). He has delivered lectures at Harvard University, New York’s Museum of Modern Art, and the Art Institute of Chicago among other venues.</itunes:summary>
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			<link>http://www.smac.us/2009/05/27/lane-relyea/</link>
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			<pubDate>Thu, 02 Jul 2009 13:11:19 -0400</pubDate>
			<category>Art</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>01:31:57</itunes:duration>
			<itunes:keywords>smac, visual art, contemporary art, alexandra lerman, new york, art world, museums, galleries, artists</itunes:keywords>
		</item>
		<item>
			<title>Teddy Cruz: 60 Linear Miles of Trans-Border Conflict</title>
			<itunes:author>SMAC.us</itunes:author>
			<description><![CDATA[The international border between the US and Mexico at the San Diego / Tijuana checkpoint is the most trafficked in the world. Approximately sixty million people cross annually, moving untold amounts of goods and services back and forth. A 60 linear-mile cross section, tangential to the border wall, between these two border cities compresses the most dramatic issues currently challenging our normative notions of architecture and urbanism. This trans border ‘cut’ begins 30 miles North of the border, in the periphery of San Diego and ends 30 miles South of the border.

We can find along this section’s trajectory a series of collisions, critical junctures, or conflicts between natural and artificial ecologies, top down development and bottom-up organization. It is in the midst of many of these metropolitan and territorial sites of conflict where contemporary architectural practice needs to reposition itself. In other words, no meaningful intervention can occur in the contemporary city, without first exposing the conditions, political and economic forces (jurisdiction and ownership), that have produced these collisions in the first place.]]></description>
			<itunes:subtitle>The international border between the US and Mexico at the San Diego / Tijuana checkpoint is the most trafficked in the world, and challenge our notions of architecture and urbanism. </itunes:subtitle>
			<itunes:summary>The international border between the US and Mexico at the San Diego / Tijuana checkpoint is the most trafficked in the world. Approximately sixty million people cross annually, moving untold amounts of goods and services back and forth. A 60 linear-mile cross section, tangential to the border wall, between these two border cities compresses the most dramatic issues currently challenging our normative notions of architecture and urbanism. This trans border ‘cut’ begins 30 miles North of the border, in the periphery of San Diego and ends 30 miles South of the border.

We can find along this section’s trajectory a series of collisions, critical junctures, or conflicts between natural and artificial ecologies, top down development and bottom-up organization. It is in the midst of many of these metropolitan and territorial sites of conflict where contemporary architectural practice needs to reposition itself. In other words, no meaningful intervention can occur in the contemporary city, without first exposing the conditions, political and economic forces (jurisdiction and ownership), that have produced these collisions in the first place.</itunes:summary>
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			<link>http://www.smac.us/2009/05/06/teddy-cruz/</link>
			<guid>http://scribecast.s3.amazonaws.com/smac/smac11_teddy-cruz.m4v</guid>
			<pubDate>Thu, 07 May 2009 18:04:10 -0400</pubDate>
			<category>Art, Installation</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>smac, architecture, alexandra lerman, teddy cruz, mexico, immigration,</itunes:keywords>
		</item>
		<item>
			<title>SWIMMING CITIES OF SWITCHBACK SEA</title>
			<itunes:author>SMAC.us</itunes:author>
			<description><![CDATA[Video covers the project The Swimming Cities designed and organized by printmaker and installation artist Swoon.]]></description>
			<itunes:subtitle>Video covers the project The Swimming Cities designed and organized by printmaker and installation artist Swoon.</itunes:subtitle>
			<itunes:summary />
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			<link>http://www.smac.us/2009/02/25/swoon/</link>
			<guid>http://scribecast.s3.amazonaws.com/smac/smac10_swoon_boats.m4v</guid>
			<pubDate>Mon, 20 Apr 2009 15:26:37 -0400</pubDate>
			<category>Art, Installation</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:06:14</itunes:duration>
			<itunes:keywords>swoon, swimming cities of switchback sea, deitch projects, long island city</itunes:keywords>
		</item>
		<item>
			<title>Younger Than Jesus</title>
			<itunes:author>SMAC.us</itunes:author>
			<description><![CDATA[Video includes interviews with “Younger Than Jesus” exhibition cocurators Massimiliano Gioni and Laura Hoptman as well as participating artist Cory Arcangel.]]></description>
			<itunes:subtitle>Video includes interviews with “Younger Than Jesus” exhibition cocurators Massimiliano Gioni and Laura Hoptman as well as participating artist Cory Arcangel.</itunes:subtitle>
			<itunes:summary />
			<enclosure type="video/x-m4v" url="http://www.podtrac.com/pts/redirect.m4v/scribecast.s3.amazonaws.com/smac/smac09_younger-than-jesus.m4v" length="32428368" />
			<link>http://www.smac.us/2009/04/14/ytj/</link>
			<guid>http://scribecast.s3.amazonaws.com/smac/smac09_younger-than-jesus.m4v</guid>
			<pubDate>Mon, 20 Apr 2009 12:59:25 -0400</pubDate>
			<category>Art</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:04:39</itunes:duration>
			<itunes:keywords>younger than jesus, new museum, millennials, generation y, igeneration, generation me, lauren cornell, director of rhizome, massimiliano gioni, laura hoptman, cory arcangel, ryan trecartin, kateřina Šedá,</itunes:keywords>
		</item>
		<item>
			<title>Homemade With SANS</title>
			<itunes:author>SMAC.us</itunes:author>
			<description><![CDATA[Despite the fact that they use mostly eco-friendly fabrics like organic cotton, soy and wild silk — SANS does not consider iself an ‘eco’ fashion line. SMAC’s recent video profile on SANS featuring the brand’s new Home Made line of patterns.]]></description>
			<itunes:subtitle>Despite the fact that they use mostly eco-friendly fabrics like organic cotton, soy and wild silk — SANS does not consider iself an ‘eco’ fashion line. SMAC’s recent video profile on SANS featuring the brand’s new Home Made line of patterns.</itunes:subtitle>
			<itunes:summary />
			<enclosure type="video/x-m4v" url="http://www.podtrac.com/pts/redirect.m4v/scribecast.s3.amazonaws.com/smac/smac08-homemade-with-SANS.m4v" length="41018365" />
			<link>http://www.smac.us/2009/03/23/home-made/</link>
			<guid>http://scribecast.s3.amazonaws.com/smac/smac08-homemade-with-SANS.m4v</guid>
			<pubDate>Mon, 20 Apr 2009 12:59:02 -0400</pubDate>
			<category>Art, Fashion, Design,</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:05:58</itunes:duration>
			<itunes:keywords>sans, lika volkova, alessandro devito, eco fashion, green, scott hahn, loomstate, antilika</itunes:keywords>
		</item>
		<item>
			<title>The Architecture of Collaboration</title>
			<itunes:author>SMAC.us</itunes:author>
			<description><![CDATA[ This exhibition features the work of architects exhibited at the American Pavilion of this past year's Architecture Biennial in Venice.]]></description>
			<itunes:subtitle> This exhibition features the work of architects exhibited at the American Pavilion of this past year&apos;s Architecture Biennial in Venice.</itunes:subtitle>
			<itunes:summary />
			<enclosure type="video/x-m4v" url="http://www.podtrac.com/pts/redirect.m4v/scribecast.s3.amazonaws.com/smac/smac07_positioning-practice.m4v" length="46650174" />
			<link>http://www.smac.us/2009/04/16/into-the-open/</link>
			<guid>http://scribecast.s3.amazonaws.com/smac/smac07_positioning-practice.m4v</guid>
			<pubDate>Mon, 20 Apr 2009 12:58:43 -0400</pubDate>
			<category>Art, architecture,</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:06:45</itunes:duration>
			<itunes:keywords>smac, visual art, contemporary art, alexandra lerman, new york, art world, museums, galleries, artists</itunes:keywords>
		</item>
		<item>
			<title>Home Delivery</title>
			<itunes:author>SMAC.us</itunes:author>
			<description><![CDATA[SMAC visits the much talked about exhibition at MoMA, Home Delivery. Fabricating the Modern Dwelling. The curator Barry Bergdoll walks us through the 5 houses built especially for the show at an empty lot near the museum.]]></description>
			<itunes:subtitle>SMAC visits the much talked about exhibition at MoMA, Home Delivery. Fabricating the Modern Dwelling. The curator Barry Bergdoll walks us through the 5 houses built especially for the show at an empty lot near the museum.</itunes:subtitle>
			<itunes:summary />
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			<guid>http://scribecast.s3.amazonaws.com/smac/smac06_home-delivery.m4v</guid>
			<pubDate>Mon, 20 Apr 2009 12:58:24 -0400</pubDate>
			<category>Art, architecture,</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:06:03</itunes:duration>
			<itunes:keywords>smac, visual art, contemporary art, alexandra lerman, new york, art world, museums, galleries, artists</itunes:keywords>
		</item>
		<item>
			<title>GreenPix: China&apos;s Next Great Wall</title>
			<itunes:author>SMAC.us</itunes:author>
			<description><![CDATA[Using thousands of solar photovoltaic capture cells to power the work of digital artists, the GreenPix Zero Energy media wall is the largest solar powered LED display in the world.]]></description>
			<itunes:subtitle>Using thousands of solar photovoltaic capture cells to power the work of digital artists, the GreenPix Zero Energy media wall is the largest solar powered LED display in the world.</itunes:subtitle>
			<itunes:summary />
			<enclosure type="video/x-m4v" url="http://www.podtrac.com/pts/redirect.m4v/scribecast.s3.amazonaws.com/smac/smac05_GeeenPix.m4v" length="66534475" />
			<link>http://www.smac.us/2009/01/26/greenpix/</link>
			<guid>http://scribecast.s3.amazonaws.com/smac/smac05_GeeenPix.m4v</guid>
			<pubDate>Mon, 20 Apr 2009 12:58:05 -0400</pubDate>
			<category>Art, architecture, digital media,</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:05:30</itunes:duration>
			<itunes:keywords>simone, giostra, greenpix, beijing, china, zero, energy, media, wall, architecture, art, video, smac, scribemedia, arts, culture,</itunes:keywords>
		</item>
		<item>
			<title>Carnivalesque Dreams of Os Gemeos</title>
			<itunes:author>SMAC.us</itunes:author>
			<description><![CDATA[Os Gemeos — the Brazilian twins and renowned street artists — bring their fantastically surreal visions to New York's Deitch Projects.]]></description>
			<itunes:subtitle>Os Gemeos — the Brazilian twins and renowned street artists — bring their fantastically surreal visions to New York&apos;s Deitch Projects.</itunes:subtitle>
			<itunes:summary />
			<enclosure type="video/x-m4v" url="http://www.podtrac.com/pts/redirect.m4v/scribecast.s3.amazonaws.com/smac/smac03_os_gemeos.m4v" length="38645604" />
			<link>http://www.smac.us/2008/06/01/brazilian-dreams-of-os-gemeos/</link>
			<guid>http://scribecast.s3.amazonaws.com/smac/smac03_os_gemeos.m4v</guid>
			<pubDate>Mon, 20 Apr 2009 12:57:08 -0400</pubDate>
			<category>Art, graffiti</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:05:05</itunes:duration>
			<itunes:keywords>são paulo, brazil, the twins, otavio, gustavo, pandolfo, street art, graffiti, carnival, jeffrey deitch, deitch projects, martha cooper, subway art, too far too close, dreams</itunes:keywords>
		</item>
		<item>
			<title>Louise Bourgeois: Pandora’s Box</title>
			<itunes:author>SMAC </itunes:author>
			<description><![CDATA[<p>Louise Bourgeois, who was born in Paris in 1911, worked more than half a century in New York.</p> 

<p>In fact her creative work reflects the century, with its revolutions and world wars, Utopian hopes and crippling disillusionments. Never one to blindly follow fashion in art, she has been compared with such masters of the 20th century as Constantin Brancusi and Vladimir Tatlin, Hans Arp and Alberto Giacometti, and even Joseph Beuys and Bruce Nauman. </p>

<p>Her work is abstract and figurative, realistic and phantasmagorical, and is made from all manner of material such as wood, marble, bronze, plaster, latex and fabric. Probing themes of universal import, it is also highly autobiographical.</p> 

<p>In fact the personal and traumatic is Bourgeois’ most vital material.</p>]]></description>
			<itunes:subtitle>Louise Bourgeois&apos; career spans a century and is beyond the confines of modern or even contemporary art. It is beyond any art styles or art movements. Her work simultaneously absorbs and repels all labels art critics so eagerly apply to artists.</itunes:subtitle>
			<itunes:summary>&lt;p&gt;Louise Bourgeois, who was born in Paris in 1911, worked more than half a century in New York.&lt;/p&gt; 

&lt;p&gt;In fact her creative work reflects the century, with its revolutions and world wars, Utopian hopes and crippling disillusionments. Never one to blindly follow fashion in art, she has been compared with such masters of the 20th century as Constantin Brancusi and Vladimir Tatlin, Hans Arp and Alberto Giacometti, and even Joseph Beuys and Bruce Nauman. &lt;/p&gt;

&lt;p&gt;Her work is abstract and figurative, realistic and phantasmagorical, and is made from all manner of material such as wood, marble, bronze, plaster, latex and fabric. Probing themes of universal import, it is also highly autobiographical.&lt;/p&gt; 

&lt;p&gt;In fact the personal and traumatic is Bourgeois’ most vital material.&lt;/p&gt;</itunes:summary>
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			<link>http://www.smac.us/2008/07/11/louise-bourgeois-pandoras-box/</link>
			<guid isPermaLink="false">sm-scribecast-smac-00002</guid>
			<pubDate>Thu, 17 Jul 2008 15:38:39 -0400</pubDate>
			<category>Art</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:03:29</itunes:duration>
			<itunes:keywords>louise bourgeois, guggenheim, olesya turkina, alexandra lerman, sculpture, art, katya soldak, new york, museumlouise bourgeois, guggenheim, olesya turkina, alexandra lerman, sculpture, art, katya soldak, new york, museum</itunes:keywords>
		</item>
		<item>
			<title>Swoon Brings Juarez to Chelsea</title>
			<itunes:author>SMAC </itunes:author>
			<description><![CDATA[To date, over 500 women and girls have been confirmed killed in Juarez, and more an 1000 have disappeared. Most of the victims are young, poor, and have been sexually assaulted prior to their deaths. The local police has been extremely ineffective in solving the 10 year old terror.

Earlier this year, during the trip to Juarez, Swoon and Tennessee Jane Watson met Silvia Elena’s mother Ramona Morales. They recorded Ramona’s recount of Silvia’s disappearance, traveled together to Silvia’s grave and brought back photographs of Silvia.]]></description>
			<itunes:subtitle>Disappearance and murder has plagued the Mexican border city of Juarez. The artist Swoon brings one of those deaths to New York.</itunes:subtitle>
			<itunes:summary>To date, over 500 women and girls have been confirmed killed in Juarez, and more an 1000 have disappeared. Most of the victims are young, poor, and have been sexually assaulted prior to their deaths. The local police has been extremely ineffective in solving the 10 year old terror.

Earlier this year, during the trip to Juarez, Swoon and Tennessee Jane Watson met Silvia Elena’s mother Ramona Morales. They recorded Ramona’s recount of Silvia’s disappearance, traveled together to Silvia’s grave and brought back photographs of Silvia.</itunes:summary>
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			<link>http://www.smac.us/2008/06/17/21/</link>
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			<pubDate>Thu, 17 Jul 2008 14:44:42 -0400</pubDate>
			<category>Art</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:04:02</itunes:duration>
			<itunes:keywords>swoon, honey space, thomas beale, street artist, wheat paste, Portrait of Silvia Elena, Tennessee Jane Watson</itunes:keywords>
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